Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches

Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches

Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches

Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Winner receives a signed and numbered cut brushed aluminum sculpture by well listed Israeli artist. The piece is titled “Double Arches” and is signed and numbered 2/10 on the underside of the base, seen magnified in picture 8. The piece also has provenance from the estate of Elaine G. Inspired by her mother’s passion for music and art, Mrs. Weitzen began collecting art in the 1950s and soon established friendships with artists Mark Tobey, Charles Seliger, George Rickey and Arnold Newman, among others. As founding Executive Director and a lifelong Trustee of the Board of the American Friends of the Israel Museum, Mrs. Weitzen worked closely with the museum and Isamu Noguchi to create the Billy Rose Sculpture Garden, and worked with curators to build the museum’s collection. Weitzen’s own collection is a selection of works by Israeli artists Yehiel Shemi, Yaacov Wexler, and Yaacov Agam, and works by artists from the Middle East including Benni Efrat. A devoted member of the Board of The Sculpture Center, the Collection of Elaine G. Weitzen is rich in the area of sculpture and champions the work of young sculptors and established artists alike. Included are works by George Rickey, Jean Arp, Ronald Bladen, Menashe Kadishman, and José de Rivera. Weitzen’s close relationships with Charles Seliger and Mark Tobey can be seen in her holdings of their work which include many gifts and exemplify her personal commitment to the artists with whom she worked. Seeing herself as a bridge between the business of the art world and the artists themselves, Weitzen understood the challenges artists face while trying to create their art and earn a living. Weitzen’s life’s passion for the arts and her commitment to young and emerging artists is supported by The Elaine G. Weitzen Foundation for Fine Arts. The sculpture is in excellent original condition with no chips, cracks, breaks, losses, or repairs. It does have age related wear including some scratches, scuffs, and wear marks, but it displays nicely. The sculpture measures roughly 13.25″ high, 15″ wide, and 4.75 deep. Thank you for checking out our listing. Menashe Kadishman, born in Tel Aviv in 1932, was a world-renowned sculptor and painter. In 1959 he moved to London where he studied at Saint Martin’s School of Art and Slade School of Art, beginning his artistic career as a minimal sculptor. He was part of a celebrated group of artists in London that worked alongside British sculptor Anthony Caro. After an early figurative phase, he moved toward abstraction and conceptualism. Following his experience in Great Britain, Kadishman moved back to Israel where he lived and worked until his death in 2015. Through the roughness of the medium – whether stone, crushed glass or sheets of metal – Kadishman strove to express the reality of Israel and remind us of lost values and broken promises. Figurative allusions such as animals and humans have always been present in his work, allowing nature and life to connect through the materials and themes represented. His experience with nature, while working as a shepherd on a Kibbutz during his youth, had a significant impact on his artistic career. Another recurrent theme, the horse, had the same source of influence, appearing prominently in sculptures and paintings. During the 80’s, imagery of sheep became a series of work based on the biblical story of the Sacrifice of Isaac, but with the peculiarity of centering the interest of the composition in the ram. Profoundly affected by the injustices of war, themes of pain, sacrifice, birth and victims were always central in his work. One of his main motifs was the mother figure with her infant child depicted in exaggerated postures of pain, taken as a symbol of suffering during war and conflict. The maternal figure evolved into single heads, even more powerful and overwhelming in its symbolism. Kadishman exhibited extensively throughout the United States and internationally. He participated in several editions of the Venice Biennale, and other major events such as the Paris Biennale, where he obtained great international recognition for winning the First Prize for Sculpture in 1967. His work is in numerous public collections such as the Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Jewish Museum, New York; Tate Gallery, London; Hara Museum of Contemporary Art, Tokyo; Tel Aviv Art Museum, Tel Aviv; Jewish Museum, Berlin; City of Tel Aviv, Israel; City of Breda, Netherlands; City of Braunschweig, among others. All of our items have been stored in a temperature controlled environment with no pets or smoking allowed. We strive to provide a wide array of artwork, antiques, and collectibles for everyone from the casual collector to other gallery owners. Whether you are a collector or a reseller, we will always try to work with you to the best of our ability to sell you the item you are interested in. We are always adding new treasures to our collection so please feel free to make an offer, as we constantly are turning over our inventory and need to free space up for our newest finds. We will never decline or ignore an offer. We look at every offer and if we don’t accept it, we will make a fair counter offer. Thank you for checking out our listing, and we look forward to dealing with you.
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches

Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches

Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches

Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Winner receives a signed and numbered cut brushed aluminum sculpture by well listed Israeli artist. The piece is titled “Double Arches” and is signed and numbered 2/10 on the underside of the base, seen magnified in picture 8. The piece also has provenance from the estate of Elaine G. Inspired by her mother’s passion for music and art, Mrs. Weitzen began collecting art in the 1950s and soon established friendships with artists Mark Tobey, Charles Seliger, George Rickey and Arnold Newman, among others. As founding Executive Director and a lifelong Trustee of the Board of the American Friends of the Israel Museum, Mrs. Weitzen worked closely with the museum and Isamu Noguchi to create the Billy Rose Sculpture Garden, and worked with curators to build the museum’s collection. Weitzen’s own collection is a selection of works by Israeli artists Yehiel Shemi, Yaacov Wexler, and Yaacov Agam, and works by artists from the Middle East including Benni Efrat. A devoted member of the Board of The Sculpture Center, the Collection of Elaine G. Weitzen is rich in the area of sculpture and champions the work of young sculptors and established artists alike. Included are works by George Rickey, Jean Arp, Ronald Bladen, Menashe Kadishman, and José de Rivera. Weitzen’s close relationships with Charles Seliger and Mark Tobey can be seen in her holdings of their work which include many gifts and exemplify her personal commitment to the artists with whom she worked. Seeing herself as a bridge between the business of the art world and the artists themselves, Weitzen understood the challenges artists face while trying to create their art and earn a living. Weitzen’s life’s passion for the arts and her commitment to young and emerging artists is supported by The Elaine G. Weitzen Foundation for Fine Arts. The sculpture is in excellent original condition with no chips, cracks, breaks, losses, or repairs. It does have age related wear including some scratches, scuffs, and wear marks, but it displays nicely. The sculpture measures roughly 13.25″ high, 15″ wide, and 4.75 deep. Thank you for checking out our listing. Menashe Kadishman, born in Tel Aviv in 1932, was a world-renowned sculptor and painter. In 1959 he moved to London where he studied at Saint Martin’s School of Art and Slade School of Art, beginning his artistic career as a minimal sculptor. He was part of a celebrated group of artists in London that worked alongside British sculptor Anthony Caro. After an early figurative phase, he moved toward abstraction and conceptualism. Following his experience in Great Britain, Kadishman moved back to Israel where he lived and worked until his death in 2015. Through the roughness of the medium – whether stone, crushed glass or sheets of metal – Kadishman strove to express the reality of Israel and remind us of lost values and broken promises. Figurative allusions such as animals and humans have always been present in his work, allowing nature and life to connect through the materials and themes represented. His experience with nature, while working as a shepherd on a Kibbutz during his youth, had a significant impact on his artistic career. Another recurrent theme, the horse, had the same source of influence, appearing prominently in sculptures and paintings. During the 80’s, imagery of sheep became a series of work based on the biblical story of the Sacrifice of Isaac, but with the peculiarity of centering the interest of the composition in the ram. Profoundly affected by the injustices of war, themes of pain, sacrifice, birth and victims were always central in his work. One of his main motifs was the mother figure with her infant child depicted in exaggerated postures of pain, taken as a symbol of suffering during war and conflict. The maternal figure evolved into single heads, even more powerful and overwhelming in its symbolism. Kadishman exhibited extensively throughout the United States and internationally. He participated in several editions of the Venice Biennale, and other major events such as the Paris Biennale, where he obtained great international recognition for winning the First Prize for Sculpture in 1967. His work is in numerous public collections such as the Metropolitan Museum of Art, New York; Museum of Modern Art, New York; Jewish Museum, New York; Tate Gallery, London; Hara Museum of Contemporary Art, Tokyo; Tel Aviv Art Museum, Tel Aviv; Jewish Museum, Berlin; City of Tel Aviv, Israel; City of Breda, Netherlands; City of Braunschweig, among others. All of our items have been stored in a temperature controlled environment with no pets or smoking allowed. We strive to provide a wide array of artwork, antiques, and collectibles for everyone from the casual collector to other gallery owners. Whether you are a collector or a reseller, we will always try to work with you to the best of our ability to sell you the item you are interested in. We are always adding new treasures to our collection so please feel free to make an offer, as we constantly are turning over our inventory and need to free space up for our newest finds. We will never decline or ignore an offer. We look at every offer and if we don’t accept it, we will make a fair counter offer. Thank you for checking out our listing, and we look forward to dealing with you.
Menashe Kadishman (1932-2015) Signed Brushed Aluminum Sculpture Double Arches
Crawfish Mound Chimney / Burrow Sculpture. (WT) Aluminum Art By Charles

Crawfish Mound Chimney / Burrow Sculpture. (WT) Aluminum Art By Charles

Crawfish Mound Chimney / Burrow Sculpture. (WT) Aluminum Art By Charles
Crawfish Mound Chimney / Burrow Sculpture. (WT) Aluminum Art By Charles

Crawfish Mound Chimney / Burrow Sculpture. (WT) Aluminum Art By Charles
After many fails, finally worked out how to get a great curation of the burrows below those little Crawfish chimneys that pop up in the yard and fields. This one (WT) had a nice feeding and chimney path. Water table was shallow so the burrow was partially filled and made for a nice compact sculpture. The Mound / Chimney is sealed to make it a lot less fragile. The arms are aluminum, cleaned up with most of the sharp and poorly formed areas worked out. Base and table top are painted and sealed. All elements are rough in nature and texture. As far as I searched- I’ve never seen a mound preserved, never seen a burrow preserved and never seen the combination mounted or displayed in any way. It may exist – but I’ve never seen one. Truly one of a kind. So far, only 8 of 30+ attempts have been successful- some explode! Surely a conversation piece for anyone that knows what a crawfish is.. Chimney and base will be. Screw driver to re-assemble.
Crawfish Mound Chimney / Burrow Sculpture. (WT) Aluminum Art By Charles
Crawfish Mound Chimney / Burrow Sculpture. (BS) Aluminum Art By Charles

Crawfish Mound Chimney / Burrow Sculpture. (BS) Aluminum Art By Charles

Crawfish Mound Chimney / Burrow Sculpture. (BS) Aluminum Art By Charles
Crawfish Mound Chimney / Burrow Sculpture. (BS) Aluminum Art By Charles

Crawfish Mound Chimney / Burrow Sculpture. (BS) Aluminum Art By Charles
Another great curation of the path below those little Crawfish chimneys that pop up in the yard and fields. This one (BS) had a really cool path to feeding but burrow was flooded and steam frothed everything below water table. It left a great curated molding and was mounted exactly as it was. The Mound / Chimney is sealed to make it a lot less fragile. The arms are aluminum, cleaned up with most of the sharp and poorly formed areas worked out. Base is painted and sealed pine. All elements are rough in nature and texture. As far as I searched- I’ve never seen a mound preserved, never seen a burrow preserved and never seen the combination mounted or displayed in any way. It may exist – but I’ve never seen one. Truly one of a kind. So far, only 8 of 30+ attempts have been successful- some explode! Surely a conversation piece for anyone that knows what a crawfish is.. Chimney and base will be. Screw driver to re-assemble.
Crawfish Mound Chimney / Burrow Sculpture. (BS) Aluminum Art By Charles
Hoselton Canadian Goose in Flight Sculpture Aluminum Mid Century Modern Granite

Hoselton Canadian Goose in Flight Sculpture Aluminum Mid Century Modern Granite

Hoselton Canadian Goose in Flight Sculpture Aluminum Mid Century Modern Granite
Hoselton Canadian Goose in Flight Sculpture Aluminum Mid Century Modern Granite
Hoselton Canadian Goose in Flight Sculpture Aluminum Mid Century Modern Granite
Hoselton Canadian Goose in Flight Sculpture Aluminum Mid Century Modern Granite
Hoselton Canadian Goose in Flight Sculpture Aluminum Mid Century Modern Granite
Hoselton Canadian Goose in Flight Sculpture Aluminum Mid Century Modern Granite
Hoselton Canadian Goose in Flight Sculpture Aluminum Mid Century Modern Granite
Hoselton Canadian Goose in Flight Sculpture Aluminum Mid Century Modern Granite
Hoselton Canadian Goose in Flight Sculpture Aluminum Mid Century Modern Granite
Hoselton Canadian Goose in Flight Sculpture Aluminum Mid Century Modern Granite

Hoselton Canadian Goose in Flight Sculpture Aluminum Mid Century Modern Granite
Hoselton Canadian Goose in Flight Heavy and impressive mid century sculpture depicts a Canadian goose in flight. Minimalist modern design statue is made of hand cast aluminum set on a solid granite base. The bird articulates and rotates on its perch. View it from another perspective and it resembles a stingray. Signed on underside of wing. Perfect modern accent for your mid century home. In good vintage condition with some scratches and wear to finish. Measures approx 7″ tall x 10″ wide x 10.5 deep.
Hoselton Canadian Goose in Flight Sculpture Aluminum Mid Century Modern Granite
Crawfish Mound Chimney / Burrow Sculpture. Aluminum Art By Charles

Crawfish Mound Chimney / Burrow Sculpture. Aluminum Art By Charles

Crawfish Mound Chimney / Burrow Sculpture. Aluminum Art By Charles
Crawfish Mound Chimney / Burrow Sculpture. Aluminum Art By Charles

Crawfish Mound Chimney / Burrow Sculpture. Aluminum Art By Charles
Idea just popped into my head one day- so I made three attempts. Two (this is one) worked out and the third exploded and nearly showered me in molten aluminum. The Mound/ Chimney is sealed to make it a lot less fragile. The arm is aluminum that was poured into an existing burrow. Base is simply a stained pine board. All elements are rough in nature and texture. Hot poured, pure Aluminum to form a one of kind sculpture. As far as I searched- I’ve never seen a mound preserved, never seen a burrow preserved and never seen the combination mounted or displayed in any way. It may exist – but I’ve never seen one. So- it is truly one of a kind, and surely a conversation piece for anyone that knows what a crawfish is..
Crawfish Mound Chimney / Burrow Sculpture. Aluminum Art By Charles
Bowing Matrix Modern Metal Art Hugo Cruz 3D Aluminum Large Artwork Curved OOAK

Bowing Matrix Modern Metal Art Hugo Cruz 3D Aluminum Large Artwork Curved OOAK

Bowing Matrix Modern Metal Art Hugo Cruz 3D Aluminum Large Artwork Curved OOAK
Bowing Matrix Modern Metal Art Hugo Cruz 3D Aluminum Large Artwork Curved OOAK
Bowing Matrix Modern Metal Art Hugo Cruz 3D Aluminum Large Artwork Curved OOAK
Bowing Matrix Modern Metal Art Hugo Cruz 3D Aluminum Large Artwork Curved OOAK
Bowing Matrix Modern Metal Art Hugo Cruz 3D Aluminum Large Artwork Curved OOAK
Bowing Matrix Modern Metal Art Hugo Cruz 3D Aluminum Large Artwork Curved OOAK
Bowing Matrix Modern Metal Art Hugo Cruz 3D Aluminum Large Artwork Curved OOAK
Bowing Matrix Modern Metal Art Hugo Cruz 3D Aluminum Large Artwork Curved OOAK
Bowing Matrix Modern Metal Art Hugo Cruz 3D Aluminum Large Artwork Curved OOAK

Bowing Matrix Modern Metal Art Hugo Cruz 3D Aluminum Large Artwork Curved OOAK
“Bowing Matrix” by Hugo Cruz – Original Modern Metal Art (OOAK) – YouTube. Price Reduced for the Holidays! “Bowing Matrix” is an original and visually emotive artwork by Hugo Cruz. 035 aluminum (from mills with 85% recycled material), composite materials, repurposed materials and more. The ovals were created with a custom metal stamp then hand & mechanically burnished. The entire artwork is “bowing” (curved/warped) to enhance the overall visual aesthetic and uniqueness. Aluminum, Fused Glass, lightweight composites and re-purposed hollow core frame. Each element was cut, metal was sheared and etched (both mechanical and hand techniques were used). 46/5″ x 21.5″ x 5.5 – Weighs about 21 pounds. Display & Lighting: This artwork is designed for display in an indoor environment. Because of metal’s natural reflective nature, a variety of lighting sources will compliment this artwork in aesthetically pleasing ways. This piece is ready to hang as soon as received. Two independent heavy duty wires are securely attached to the back — You can chose to hang this vertically or horizontally. Please Note: The sample image(s) have been compressed for optimal web download and do not do full justice to viewing the artwork in person. Slight color variations may also be a factor due to color variations from monitor to monitor — Best efforts are made to take clear photographs of each artwork for your review.
Bowing Matrix Modern Metal Art Hugo Cruz 3D Aluminum Large Artwork Curved OOAK